Produced by Portishead co-founder Geoff Barrow, this scabrous though undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of cider, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one key story turn, but it results in a comically executed chaotic run on the forest trails that dips close to rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in British and Irish theaters from 17 November.
